Re-radical and unpredictable

Valentino is no stranger to outrageous and unapologetically bold prints. (Which I think is part of their strategy of street-style domination and to minimize/deter counterfeiting.) They teamed up with Memphis Group member, Nathalie du Pasquier, to create the ‘Counting prints‘ for their Fall 2017 collection.

Some background on the Memphis Group can be found from this video below.

This design group that defined the look of the 80s, had some crazy furniture designs and insane pattern-on-pattern-on-pattern creations. Some funky, some timeless and others plain old kooky. With this Valentino collection, the kookiness still remains but uses more sophisticated, tertiary colours – browns, teals, tangerine and bubblegum/flamingo pink.

I’m not crazy about the colour pink. But I think the pink and teal photographs very well together. In any case, while looking up pictures of the Memphis Group. I came across some pictures of their furniture and think it looks so kooky-amazing. And usually I’m not super into homeware and furniture. But since I’m starting the process of doing up my abode at the moment, I’ve been trawling the world wide web (especially Pinterest) for home decor ideas and inspiration. So this topic seems especially relevant now.

The Memphis Group’s furniture reminds me of Vice & Vanity’s work. With the bright colours and intersection of plains, shapes, materials. (On a side note, how is Vice & Vanity???)

Anyway, leap frogging into another art-meets-design homeware piece. My recent internet trawling brought me to this – the ‘Red and Blue Chair’ by Gerrit Rietveld. Can you imagine this chair design is nearly 100 years old (designed in 1918)?! According to Wikipedia (via MoMA) the primary colours were added in 1923. Its described as a “floating chair”, when placed in front of a black wall. Which makes sense. But it just screams Piet Mondrian to me.

 

Credits: Red&Blue chair, Memphis Group furniture, Valentino

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